Disruption Oil on canvas , by Erik Pevernagie xx

When our being is in disruption, we walk a tightrope between presence and absence. The mirror of the past shows all the cracks assembled during the twisted journey of our life. Since the implacable incursion of past and present creates an outlandish ground of astoundment, it opens access to a new stage of life or a gate to non-existence.

A sudden and abrupt clash between new and old, between being and having been, intractably provokes a surge of bewilderment and enthrallment if we end up in an alienating void. In that event, "Time" has to become a redeemer to heal from anguish and desolation. If time proves to be a reliable ally and a good coach, a new inspiring sequel can be written for the future.

Let our brain intuit what feelings are craving to express. If our mind catalyzes an uplifting bond with our emotions, both become brothers at arms, and build a realm of common sense.

If we care to listen to the secrets of our body and the riddles of our heart, we can sense the surfing flow between the wants of our mind and the needs of the flesh.

Finding a proper way to express our feelings allows us to avoid disruptions. The behavior of some emotional outlaws may astound us. As they act in line with their adopted standards, they proceed like bulls-in-a-china-shop, creating a mess in their living environment and bumping into the emotional architecture of the others.

When our “spontaneous emotions” clash with our “instilled emotions” that our social community has molded, we might gradually see dominoes falling as we experience more “authentic emotions” arising after 'conscious reflection.’ The confrontation of impulsive, ingrained, and introspective feelings may, naturally, create a bewildering trilemma in our minds.

We enhance our insight if our view can awaken and enrapture our feeling. When perception and sensitivity meet, we feel empowered to create a colorful world and share a breathtaking experience.

In painting, tension arises between "Non-painted" and "Painted" matter, between "Presence" and "Absence," and between "Past" and "Present." It is brought to the canvas, visually and mentally.

While a female persona lies on the floor, part of the body remains outside the canvas. "Non-painted" and "painted" matter are evaluated on an equal level. Characters are integrated into the environment through geometric lines and compositional planes.

Figuration and abstractionism make a compromise and highlight a range of emotions and reflections. The material on the canvas and the color process plays an essential role. The use of rough material and metal filings, giving the painting an unusual texture, is, in this respect, very significant

Phenomenon: Tension and disruption; Dialectic approach "presence" and "absence."

Factual starting point: Female body